accidently deleted this copy - need it from Mark once more…

7:30 pm - 8:30 pm

Bring your own chair or blanket.

Repertoire

Caro mio ben by Tommaso Giordani

Performed by Johnnie Felder

Giordani was an early 19th century composer from Naples.  This beautiful song is a standard for any aspiring young opera singer.

Danza, danza fanciulla gentile by Francesco Durante

Performed by Amber Rose

Durante was a 17th century composer from Frattamaggiore north of Naples. This classic is also a standard for aspiring young opera singers to master.

Quando m’en vo (Musetta’s Waltz) from La bohéme by GiacomoPuccini

Performed by Corey Lovelace

Puccini was born in Lucca in Tuscany.  Nestled between Pisa and Florence, Lucca was an important outpost of the early Roman Empire, serving as northern headquarters for Julius Ceasar’s conquest of Gaul.

Bella Ciao by Anonymous

Performed by Giovanni Grimaudo

The song Bella Cio is the song of the Italian resistance, and the partisans who fought against Mussolini’s fascist dictatorship and the occupation by Hitler’s Nazi soldiers. It is the song of April 25th, the day when Italy celebrates the liberation from Nazi fascism.

Non dimenticar by Gino Redi, Michele Galdieri and Shelley Dobbins 

Performed by Johnathan White

Released in 1962 on Dino, Italian Love songs by Dean Martin, Non dimenticar became an instant pop hit.

Che gelida manina from La bohéme by Giacomo Puccini

Performed by Johnnie Felder

In Act I of Puccini’s popular opera, the poet Rodolfo tells the beautiful seamstress Mimi of his life and his passion for poetry.  It is love at first sight.

(Volare) Nel blu, dipinto di blu by Domenico Modugno

Performed by Joey Santo

Considered the father of Italian pop, Modugno was born in Polignano on the Sea in Pugliain 1928, the southeast Italy. He recorded more than 200 songs and appeared in 38 films. 

Stridono lassu’ from Pagliacci by Ruggero Leoncavallo

Performed by Corey Lovelace

Leoncavallo was born in Chiaia, Naples in the mid 19th century. A brilliant writer and composer, he studied at the Conservatory of Saint Peter in Naples, continuing his studies in Bologna.  His most famous work, Pagliacci is often paired with Mascagni’s Cavalleria Rusticana – two exceptional examples of late 19th century Verismo opera.

Una furtiva lagrima from L’Elisir d’amore (The Elixir of Love) by Gaetano Donizetti

Performed by Johnathan White

Donizetti was a prolific composer, creating more than 70 operas in his illustrious career.  He played a significant role in the life of his younger colleague, Giuseppe Verdi.  Born in the Lombardy town of Bergamo (north of Milan), his most famous operas are Lucia di Lammermoor, The Daughter of the Regiment and The Elixir of Love.

Il bacio by Luigi Arditi

Performed by Amber Rose

Hailing from the beautiful island of Sardenia, Arditi was a prolific violinist, composer and conductor of opera.  His delightful “Vocal Waltz” Il bacio (The Kiss) was dedicated to the soprano Marietta Piccolomini, who was famous for her portrayal of Violetta in La traviata.

La donna é mobile from Rigoletto by Giuseppe Verdi

Performed by Giovanni Grimaudo

“Women are fickle” is often how this title is translated.  But to the licentious Duke of Mantua, the title is more appropriately “Women are Interchangeable” or perhaps “Expendable”.  Verdi knew this aria would be an immediate hit. He waited to the final rehearsal to have it sung, barring anyone from attending, and making everyone wait for the 1851 premiere of his now famous opera.

Marechiare by Francesco Paolo Tosti

Performed by Johnathan White

Marechiare is one of the most celebrated Romances composed by the Abruzzese composer Tosti. Principally a composer of songs, his career spanned the greatest period of Italian opera – from the mid-1850’s until his death in 1916.  His association with the greatest composers (Verdi, Puccini, Mascagni) made him, and his songs, a staple of Italian vocal music.

Caro nome from Rigoletto by Giuseppe Verdi

Performed by Amber Rose

The profligate Duke of Mantua (see La donna é mobile) has seduced the young girl, and daughter of his court jester, Rigoletto, by disguising himself as a poor student under the name Gualtier Maldè. Completely smitten, Gilda sings of this new emotion – Love for the charming student.

That’s Amore by Harry Warren and Jack Brooks

Performed by Joey Santo

The 1953 hit song became the signature song for Dean Martin. It can be heard in the movies Rear Window, Moonstruck, Grumpier Old Men, Stuart Little, Enchanged, and The Garfield Movie.

Vaga luna, che inargenti by Vincenzo Bellini

Performed by Corey Lovelace

Vaga luna is an 1827 concert aria by the Sicilian composer Bellini. Considered the third of the early 19th century Italian composers Rossini, Donizetti and Bellini, he is known today for his magnificent operas Norma, I puritani (The Puritans), and La sonnambula (The Sleepwalker).  Both the theater and cathedral in his hometown of Catania are named after him.

Funiculi Funicula by Luigi Denza and Giuseppe Turco

Performed by Giovanni Grimaudo

Inspired by the 1879 debut of the cable car on Mount Vesuvius (funicolare del Vesuvio), this iconic Italian song was an instant hit and has remained a favorite for movies of all types.

O sole mio by Eduardo di Capua and Giovanni Capurro

Performed by Johnathan White

The 1898 Neapolitan song is known across the world. The composer Capua was born, raised and educated at the famous Conservatory in Naples, perhaps the leading music conservatory second only to the Conservatorio Giuseppe Verdi in Milan.  A prolific writer of songs, he paid homage to the great singing tradition of his hometown – a singing tradition that dates back to the days of the Roman Emperor Nero.

Nessun dorma from Turandot by Puccini

Performed by Johnnie Felder

Puccini’s final opera is anchored in the minds and hearts of the public by this luscious aria, the popularity of which was crystalized by Luciano Pavarotti.  In the final act, the Unknown Prince declares that no one will learn his name, even though the princess Turandot has commanded that all of Peking must stay awake (Nessun dorma) to discover the identity of the Prince. Ultimately, love wins the day.

Artistic Director & Principle Conductor

Maestro James Meena

Entering his 25th season with Opera Carolina, Mo. James Meena’s tenure with Charlotte’s 75 year-old opera company has been characterized by an unswerving commitment to artistic excellence.  

During his tenure, the company has presented eight regional premieres and seven new American operas, including Cold Sassy Tree and Susannah by Carlisle Floyd, Margaret Garner by Richard Danielpour and Toni Morrison, Rise for Freedom by Adolphus Hailstork, the new musical drama I Dream by Douglas Tappin about the Rev. Dr. Martin Luther King, Jr., the House Music Opera House of Orfeus by Nmon Ford and The Passion of Mary Cardwell Dawson starring international superstar Denyce Graves. 

He is regarded as one of America’s finest opera conductors, and has performed as guest conductor with orchestras and opera companies across the globe including Die Zauberflöte for the Italian opera houses in Como, Brescia, Pavia, Cremona, Turandot in the Teatro Antiche Taormina and Teatro Greco Siracusa, Tosca at the Luglio Festivale Trapani in Sicilia, a double-bill of Rachmaninoff’s rarely-performed Aleko paired with Pagliacci as well as La fanciulla del West, both with New York City Opera; Le nozze di Figaro for Teatro Sociale Rovigo Italy, La Fanciulla del West for five prestigious Italian theaters: Teatro del Giglio, Lucca Italy, Teatro Verdi in Pisa, Teatro Alighieri di Ravenna, Teatro Pavarotti di Modena and Teatro Goldoni di Livorno, a Gala concert with Renee Fleming and the Toledo Symphony 

Orchestra, La bohème with the prestigious Puccini Festival in Torre del Lago, Le nozze di Figaro, La traviata, Pagliacci, Madama Butterfly and La bohème with Opéra de Montréal.

Director of Production

Michael Bumgartner

Opera Carolina’s Director of Production and Lighting Designer since 2005, Michael Baumgarten has designed lighting for more than 450 opera productions at regional and international opera companies, including, New York City Opera, Florida Grand Opera, Opera Lyra Ottawa, Manitoba Opera, Santa Fe Opera, Austin Opera, Arizona Opera, Lyric Opera Kansas City, Palm Beach Opera, Toledo Opera, Opera Grand Rapids, Michigan Opera Theater and Virginia Opera.  

A graduate of the Yale School of Drama and member of United Scenic Artists-Local 829, Mr. Baumgarten has also served as Director of Production and Resident Lighting Designer for Chautauqua Opera since 1999.  Equally at home with digital design and innovative technologies, he has designed and created new digital imagery for over twenty Opera Carolina productions including Turandot, Les pêcheurs de perles, Nabucco, Macbeth, Roméo et Juliette, La fanciulla del west, and I Dream.

Pianist

Daria Ruzhynska

NEW COPY TO COME Director of Production and Lighting Designer since 2005, Michael Baumgarten has designed lighting for more than 450 opera productions at regional and international opera companies, including, New York City Opera, Florida Grand Opera, Opera Lyra Ottawa, Manitoba Opera, Santa Fe Opera, Austin Opera, Arizona Opera, Lyric Opera Kansas City, Palm Beach Opera, Toledo Opera, Opera Grand Rapids, Michigan Opera Theater and Virginia Opera.  

A graduate of the Yale School of Drama and member of United Scenic Artists-Local 829, Mr. Baumgarten has also served as Director of Production and Resident Lighting Designer for Chautauqua Opera since 1999.  Equally at home with digital design and innovative technologies, he has designed and created new digital imagery for over twenty Opera Carolina productions including Turandot, Les pêcheurs de perles, Nabucco, Macbeth, Roméo et Juliette, La fanciulla del west, and I Dream.

Artists

Giovanni Grimaudo

Ramelle Brooks’ noble bass voice has been described as powerful yet full of color and nuance. He has been afforded the opportunity to sing roles in operas such Crespel/Schémil in Les contes d’Hoffman,  Dr. Grenvil in La Traviata, Angelotti in Tosca, Sarastro in Die Zauberflöte, Doctor 6 in The Falling and Rising, Norton in La Cambiale di Matrimonio, Nardo in La Finta Giardiniera, Dr. Dulcamara in L’elisir d’ amore, and Dick Deadeye in H.M.S. Pinafore. 

His musical credits include Smokey Joe’s Cafe and The Carousel. Ramelle is also a vibrant soloist with regional choruses and orchestras. He holds a Doctor of Musical Arts and Master of Music in Performance from the University of South Carolina and a bachelor’s degree in Music Education (Voice K-12) from Fayetteville State University. Currently, Ramelle serves as an Assistant of Professor of Voice at South Carolina State University. 

He supplements his academic experience serving as Director of Music at Second Calvary Baptist Church in Columbia, South Carolina. Ramelle also holds membership in the National Association of Teachers of Singing and Alpha Phi Alpha Fraternity, Inc. 

Johnnie Felder

Johnnie J. Felder, is a native of Vance, South Carolina, and is a graduate of Benedict College, earning the Bachelor of Arts in Music. 

Following his matriculation at Benedict, Felder earned the Master of Music and Doctor of Musical Arts degrees in Vocal Performance from the University South Carolina School of Music. 

Felder has also undergone extensive vocal studies in the opera studio of the American Institute of Musical Studies (AIMS) in Graz, Austria, and in the opera soloist program of the Varna International Music Academy (VIMA) in Varna, Bulgaria. 

An active teaching artist, Felder continues to perform regularly throughout the southeastern region, nationally, and abroad. A Principal Artist in Opera Carolina’s Resident Artist program (Charlotte, NC), Felder has been featured in operatic and concert roles such as Peter, the Honey Man in the Gershwins’ Porgy & Bess, Beethoven’s Ninth Symphony (Augusta Choral Society), Spoleto Festival USA and North Carolina premieres of Rhiannon Giddens and Michael Abels’ opera - Omar (Carolina Performing Arts, Chapel Hill, NC), Peter, Honey Man (North Carolina Opera), Tamino in Mozart’s Die Zauberflöte, Nemorino in Donizetti’s L’elisir d’amore, Reverend Jesse Jackson in Douglas Tappin’s I Dream, Count Belfiore in Mozart’s La Finta Giardiniera, and several solo recitals and concerts throughout the United States. 

Dr. Felder serves as Assistant Professor of Music & Director of Choral Activities at South Carolina State University (Orangeburg, SC) and is on the voice faculty at the USC School of Music (Columbia, SC), where he teaches applied voice and diction for singers. 

Dr. Felder’s research interests include the performance, preservation, and continued scholarship of opera, art song, and choral literature by composers of the African Diaspora and beyond.

Joey Santo

Acclaimed for his “vibrant and ringing” sound, last season Zach’s made his principal role debut as Sharpless in Puccini’s Madama Butterfly. 

The 2023/24 season saw him make his company debut with Opera Grand Rapids as Marcello in their production of La bohème as well as covering the roles of Alfio and Tonio for Opera Carolina’s double feature of Cavalleria Rusticana and I Pagliacci. 

Most recently, he has been seen as Il Conte in Le Nozze di Figaro with International Lyric Academy/Opera Carolina and as Pluto in the sold-out preview performance of Nmon Ford’s highly anticipated new opera House of Orfeus. Mr. Hugo reprised the role of Pluto for an October concert performance with Detroit Opera with further performances to be announced. 

Other notable engagements include Germont (Cover) in La Traviata and Scarpia (Cover) in Tosca with Opera Carolina, Schaunard in La Bohème and Belcore in L’elisir d’amore with Central Piedmont Opera Theater, and Silvio in I Pagliacci and Sharpless in Madama Butterfly with Opera Experience Southeast. 

Mr. Hugo’s training also includes graduate studies in conducting, leading to productions of Gluck’s Orpheé et Eurydice, Purcell’s Dido and Aeneas, and Mozart’s Così fan tutte under his baton.A native of South Carolina, Mr. Hugo holds a B.M. in Vocal Performance and a M.M. in Conducting from Winthrop University. Additionally, he is an active teacher of voice and piano in the Charlotte area.  During the 75th Anniversary Season, Zach will reprise the role of Marcello in La bohème.

Corey Raquel Lovelace

Corey Raquel Lovelace hails from Chicago, but has happily made her new home in the Carolinas. 

She made her a spectacular debut as Nedda in Pagliacci last season, filling in at the 11th hour for an indisposed Barbara Frittoli.  She made her role debut as Leonore in Fidelio with the Mid-Ohio Opera Company in 2023, and last year retured to the concert stage premiering new works by Ukrainian composer, Sophia Pavlenko-Chandley. She made her debut as the title role in Carlisle Floyd’s Susannah and covered the title role in Adriana Lecouvreur. Corey returned to the opera stage post-pandemic performing Mimì in La bohème with Opera North, and she made her company debut with Opera Carolina as Musetta.  

Internationally, she has performed in China with the iSING! Music Festival and made her European debut with the American Institute of Musical Studies in Graz, Austria. Additional performing credits include; Cendrillon in La Cendrillon, Kate in Connection Lost: The Tinder Opera, Donna Anna in Don Giovanni, and Lady Billows in Albert Herring. She continues to shine on the Opera Carolina stage this season as Frasquita in Carmen, First Lady in The Magic Flute and Musetta in La bohème. 

Amber Rose Romero

Hailed for her effervescent and iridescent voice, Amber has performed principal roles with opera companies across the United States, including the Utah Festival Opera, NC Summer Opera, Greensboro Opera, Signature, Inc., NH Piccola Opera, the Miami Music Festival and Opera Fusion in an impressive array of roles including Zerbinetta in Strauss’ Ariadne auf Naxos, Olympia in Offenbach’s Les contes d’Hoffmann, Adele in Johann Strauss’ Die Fledermaus, Nanetta in Verdi’s Falstaff, the Dew Fairy in Humperdinck’s Hansel und Gretel, and Zerlina in Mozart’s Don Giovanni. 

She makes her principal role debut with Opera Carolina this season as The Queen of the Night in The Magic Flute.

Johnathan Stanford White

Tenor, Johnathan Stanford White began his Operatic studies at the College of Charleston in 2004 while working on his BA in Vocal Performance. In 2011, he was selected to sing at the Jussi Bjorling Centennial Celebration at Gustavus College at the Jussi Bjorling Concert Hall. Since moving to Charlotte and joining the Opera Carolina as a Resident Company Member in 2013, Johnathan has become a staple in the classical music scene. He made his Opera Carolina debut in Turandot as the Emperor in 2015, and has since assailed numerous roles during his tenure with the Opera, including Don Ottavio in Don Giovanni, Spoletta in Tosca, Trique in Yvgeny Onegin and last season as Peppe in Pagliacci, Goro in Madama Butterfly and Pang in Turandot. Johnathan is also an accomplished symphonic soloist performing throughout the East Coast. 

He made his international debut performing the three comedic roles in Les contes d’Hoffmann with the International Lyric Academy, Vicenza, Italy. During the Opera’s 75th he will star as Tamino in The Magic Flute.

Orchestra

First Violin

Kari Giles

Corine Brouwer

Susan Blumberg

Dustin Wilkes-Kim

Judy Meister

Eliza Johnson

Amanda Gentile

David Strassberg

Second Violin

Tatiana Korpova

Cynthia Burton

Fabrice Dharamraj

Kirsten Allen

Michelle Thompson

Emily Chatham

Viola

Kirsten Swanson

Shawn Snider

Piotr Swic

Anna Swic

Cello

Grace Anderson

Oksana McCarthy

James Churchill

Jill Fung

Double Bass

Eric Thompson

Nixon Bustos

Flute

Jennifer Dior

Amy Orsinger Whitehead

Oboe

Teil Taliesin

Matthew Covington

Clarinet

Dylan Lloyd

Joshua Bottoms

Bassoon

Stephanie Lipka

Lori Tiberio

Horn

Andrew Merideth

Tim Papenbrock

Christopher Griffin

Judith Thompson

Trumpet

Eric Millard

Marisa Youngs

Trombone

Justin Isenhour

Tom Burge

Arthur Haecker

Timpani

Stephanie Wilson

Percussion

Rick Dior

Brice Burton

Harp

Andrea Mumm

For full calender of events, tickets and showtimes, please visit www.operacarolina.org